4,374 Royalty-Free Audio Tracks for "A Major Chords"

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Seventh sharp nine chord on C. Created using Sibelius.

Thirteenth Polychord - Separate chords within an extended chord.

(Wolfgang Kindl) EG 398 In dir ist Freude in allem Leide

Example of an altered chord progression in jazz.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Hendrix chord.

Dominant seventh tritone resolution chords, As MIDI

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Created by Hyacinth (talk) using Sibelius.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Ninth vs added-ninth chord.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Diminished seventh chord as incomplete ninth in C.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Violoncello chord on D.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Chord progression with diminished seventh chords added, without chords added yet.

Sing we and chant it, Thomas Morley's version of Gastoldi's A lieta vita

Italiano: Don Giovanni Berry, Walter (ruolo: Baritono; Masetto) Böhme, Kurt (ruolo: Basso profondo; Il Commendatore) Corena, Fernando (ruolo: Basso-baritono; Leporello) Coro dell'Opera di Stato di Vienna (ruolo: Coro) Danco, Suzanne (ruolo: Soprano; Donna Anna) Da Ponte, Lorenzo (ruolo: Autore del libretto) Della Casa, Lisa (ruolo: Mezzosoprano; Donna Elvira) Dermota, Anton (ruolo: Tenore; Don Ottavio) Gueden, Hilde (ruolo: Mezzosoprano; Zerlina) Krips, Josef (ruolo: Direttore) Mozart, Wolfgang Amadeus (ruolo: Compositore) Siepi, Cesare (ruolo: Baritono; Don Giovanni) Orchestra dell'Opera di Stato di Vienna (ruolo: Orchestra) Čeština: Wolfgang Amadeus Mozart: Don Giovanni, diriguje Ferenc Fricsay, zpívají Cesare Siepi jako Don Giovanni, Kurt Böhme jako commendatore a Fernando Corena jako Leporello. Wolfgang Amadeus Mozart: Don Giovanni (conducted by Ferenc Fricsay). "Don Giovanni, a cenar teco", with Cesare Siepi as Don Giovanni, Kurt Böhme as the Commendatore and Fernando Corena as Leporello. Македонски: Извадок од операта Дон Џовани (1787) на В. А. Моцарт. Don Giovanni, a cenar teco z drugiego aktu opery Don Giovanni Wolfganga A. Mozarta w wykonaniu orkiestry Wiedeńskiej Opery Państwowej pod dyrekcją Josefa Kripsa. Śpiewają: Cesare Siepi jako Don Giovanni, Kurt Böhme jako Komandor z Sewilli oraz Fernando Corena jako Leporello. Увертюра Don Giovanni, a cenar teco m'invitasti из оперы «Дон Жуан» Вольфганга Амадея Моцарта (2-ое действие, 5-ая сцена). Запись 1955 года в Венской государственной опере. Партии исполняют: Командор ― Курт Бёме, Дон Жуан — Чезаре Сьепи, Лепорелло ― Фернандо Корено. Дирижирует Йозеф Крипс.

Diminished seventh chord on B.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Root position triads from C major scale.

Diminished triad on C , as MIDI.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished triad on B, as MIDI

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.